Sunday, the fourth of November at 8:30 or so found us at the Teatro della Pergola, a charming 18th century theatre not far, as we discovered, from our present lodgings.
We expected a pleasant evening of early music, but were quite astonished at the quality of the group.
I would guess that they do at least some of their performances in cathedrals around Europe, as there were several selections of antiphonal singing, first with part of the choir in the hall, and later with some in the rear of the auditorium. Both arrangements seemed to work well. The group is known for its perfomances of contemporary music, and that's fine, I guess, though modern choral music isn' t really my thing. The only work I had trouble with was something by G. Scelsi which sounded to me like an air raid warning followed by aerial combat. The Messiaen was fine, and of course, the Palestrina, but the real event ws the Bach motett, Komm, Jesu, komm as the final work. What a knockout.